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This age-old formula of screwing up each other’s existence then ‘discovering’ the missing elements of one’s personality is a well-trodden and patronising path.READ MORE
When Nicholas Winding Refn compels you to look, look you shall. This is that rare find: a film that’s worth paying to see properly.
As McQueen says, ‘Morality is like socialism, great idea but it doesn’t bloody work.’READ MORE
Despite it being packed with thrills, spills and fight scenes, Haywire is tenuously held together by a confusing and poorly paced plot. READ MORE
As a study of the seemingly insignificant and often ongoing battles people play out in their every interaction with others in life, Swedish director Lisa Aschan’s debut feature is an interesting spotlight.READ MORE
The fun is in sitting in stunned silence, totally blind to what might happen next, which is a giddy and thrilling ride that’s all-too-rare in cinema. READ MORE
It’s been thirteen years since Jason Biggs made love to a freshly baked apple pie and not much has changed as the old gang return.READ MORE
The incessant instrumentation only serves to amplify the unnecessary melodrama that is central to Piggy‘s problems.READ MORE
Normally with Cronenberg we’re deep into psychosis, subjectively, down in the dirty of our subconscious and nightmares. Here we’re in therapy.READ MORE
As coming-of-age stories go, Reitman and Cody’s Young Adult is a stone-cold sobering one of sheer brilliance, packed with ironic laughs and painful honesty. READ MORE
A very worthy, if different, follow up to the first outing.
Family entertainment with little meaty substance.
There’s no dynamism, no commitment and, crucially, a weak grasp of tone.
It says something disquieting about a society in which I have had to resort to the cinema
Marcel Gisler on what triggered the making of Mario, a new LGBT football film.
Brock Norman Brock on how Yardie was written for the screen.
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