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A Dangerous Method
Normally with Cronenberg we’re deep into psychosis, subjectively, down in the dirty of our subconscious and nightmares. Here we’re in therapy.
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Oslo, August 31st
It is art, sometimes difficult art, that can make us re-examine the world we live in, make us feel deeper than we have before and move us in profound ways.
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Asshole
A review isn’t really necessary for Asshole, a new film (as I believe it’s be labelled) by Kaushik Mukherjee. A description will probably do the job.
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Hara Kiri: Death of a Samurai
Takashi Miike’s latest outing is a long, drawn out expedition into the proud world of ritual suicides and the life of destitute, unnecessary samurai in a time of peace.
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360
360 is a film made by a humanist with a nearly unparalleled and courageous talent.
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127 Hours
‘Ordeal’ doesn’t even cover what Ralston went through. ‘Heroic’ is an inadequate adjective. ‘Superhuman’ is nearly there.
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Black Swan
As a psychological horror, Black Swan is a flawless, immersive experience, and one that hardcore aficionados of film will revel in.
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Archipelago
With her second feature film, Joanna Hogg has cemented her position alongside the likes of Andrea Arnold as a key figure in British cinema.
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The American
In Corbijn’s first film since Control, he delivers a thoughtful, engaging and skilfully crafted thriller.
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The Kids Are All Right
Nic and Jules (Annette Bening and Julianne Moore) are a middle-aged, long-term lesbian couple in California with two teenage children conceived through artificial insemination.
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