Genre Horror
The Silent House
‘Real Fear in Real Time’, reads the tagline, and for once it’s an accurate marketing shtick.
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We Are What We Are
With an opening that evokes a post-apocalyptic atmosphere, We Are What We Are begins with a suitably eerie tone.
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I Spit On Your Grave
The original I Spit On Your Grave, initially titled Day of the Women by writer/director Meir Zarchi, was one of the most controversial rape-revenge films of the exploitation genre.
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Let Me In
Let Me In had many positive aspects, and perhaps you should never judge a film in comparison – but, the truth is, I’ve seen a better version of this film already.
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Splice
Splice is the story of two genetic engineer scientists whose ambitious side-project creates a creature that would have anti-stem cell campaigners crowing “We told you so, God-playing heathens!”
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A Nightmare on Elm Street
It refers to both the literal, fatal nightmares experienced by the characters in the film, and the figurative nightmare of having to sit through this embarrassingly boring work of rubbish.
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Paranormal Activity 2
Paranormal Activity 2 luckily avoids the misjudgements of its closest relative, the stupendously awful Blair Witch Project 2: Book of Shadows by sticking to the format of candid footage and plausibly connected characters.
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The Last Exorcism
This slightly tongue-in-cheek horror takes us modern cynics at our word, and presents us with an exorcist who no more believes in demons than Richard Dawkins believes in deities.
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Paranormal Activity
The relentless bone-cracking offered by gory films has proved itself to be a particularly mindless form of horror, and anyone seeking something less predictable will find that Paranormal Activity is the perfect antidote.
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Pandorum
Pandorum kicks off with two astronauts who wake to find themselves drifting through space with no memory of who they are or what their mission was.
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