A Liar’s Autobiography – Competition
A Liar’s Autobiography is out on DVD out now and we’re giving away three copies and three posters.
Enter and win
Though this version of Gatsby is full of jarring elements at first appraisal, the combination of a faithful script, high production values and excellent performances creates an absorbingly eccentric artistic statement. Whether it’s a statement you’ll relish is another matter: this is ‘Gatsby’ on a cocaine binge.
The second film in the rebooted Star Trek franchise, helmed by director JJ Abrams, is even more campy, all-guns-blazing, sci-fi fun than the first.
If you’re looking for thrills, you’ll have more fun with watching Psycho itself. And if you want a glimpse of the psychology that drove the man, there’s always Vertigo.
Like a fedora-flecked post-war vision of Starship Troopers, Gangster Squad is about as politically correct as a punch in the kidneys.
Metastasizing war, schisms of family to mirror the schisms of topography, lust, hunger, upheaval, religion, nuclear bombs, forced sterilization, annihilation, and love. And hope. And second chances.
Pitch Perfect is scabrously funny without relying on post-modern references or descending into nastiness.
Is it unfair—and pointless— to discuss a film in relation to other past adaptations, to judge it by what it’s not? But, on the other hand, do we need another version of Great Expectations?
With Amour, you will remember the film, and you will remember the emotions, and there will be no humiliation in the crying.
Gabrielle Vincent’s children’s books have been brought alive with the same painted tones and styles that first accompanied the series. It is a sweet, quaint and charmingly unusual animation.
Hooley was committed to changing people’s lives to music, constantly believing that there were others like him who – despite the troubles surrounding them – loved Belfast, loved Northern Ireland and loved music.