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Dir: Neil Burger
Starring: Edward
Norton, Paul Giamatti, Jessica Biel
Seeing a talent like Edward Norton,
charming gentlemen and Yale graduate, is usually a treat.
Handsome, experienced and overall a bloody brilliant actor,
Norton’s films are like that shiny jewel that glows in the midst
of a hundred ordinary rocks. Primal Fear, American
History X, and Fight Club are just some of the modern
classics that allowed him to sit on the top end of the A-list.
With this in mind, seeing him in the
advert of a film about a magician, the likes of which the world
has never seen, that has the tagline ‘Nothing is what it seems’
would provoke a rather excited response. However, upon exiting
the cinema, the filmgoer realises that the age-old fact that the
best parts are in the trailer (a fact that so many people try to
deny) is very true, and the denial of it has caused them to lose
five quid, not to mention two of hours of time that could have
been spent more constructively.
Director Neil Burger has done well to
gather a group of prolific actors, including Paul Giamatti.
However, he is clearly unaware of how to utilise his tools, and
creates a shambles out of an idea that could have worked really
well despite the weak plot.
The Queen’s English spoken by the
characters is done so very well; they obviously had very good
voice-coaches. However, the fact that they all speak English
better than Tony Blair but the film is set in 19th
century Venice is rather puzzling, but your desire to find out
why this is so will no doubt disappear after the first half
hour, as will your strength to try and figure out the twist of
the film. Added to this is the fact that when the end twist is
finally presented, you really don’t care and are waiting for the
credits to roll so that you can belt out of the cinema and not
get caught in the rush of people who will be talking about how
disappointed they are.
For a more authentic, gripping
magician movie, see The Prestige, a film that keeps you
on edge, one that will tantalise you, and on which will show
that, in comparison to it, The Illusionist is mere child’s play.
 
Related Topics
The
Prestige Review
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