The Darkest Hour – Prize Giveaway
The Darkest Hour is out from 16 January and you can win some fantastic prizes!
Enter and win
Normally with Cronenberg we’re deep into psychosis, subjectively, down in the dirty of our subconscious and nightmares. Here we’re in therapy.
It is art, sometimes difficult art, that can make us re-examine the world we live in, make us feel deeper than we have before and move us in profound ways.
A review isn’t really necessary for Asshole, a new film (as I believe it’s be labelled) by Kaushik Mukherjee. A description will probably do the job.
Takashi Miike’s latest outing is a long, drawn out expedition into the proud world of ritual suicides and the life of destitute, unnecessary samurai in a time of peace.
360 is a film made by a humanist with a nearly unparalleled and courageous talent.
When Nicholas Winding Refn compels you to look, look you shall. This is that rare find: a film that’s worth paying to see properly.
This age-old formula of screwing up each other’s existence then ‘discovering’ the missing elements of one’s personality is a well-trodden and patronising path.
30 Minutes Or Less is enjoyable enough in a naughty schoolboy fashion, but fairly unremarkable long term.
In Will Gluck’s new rom-com, Justin Timberlake may just have found a compatible niche that his army of fans want to see him in.
With writer Marti Noxon at the helm, the success of this funny and entertaining pop at the vampire genre is unsurprising.