A Liar’s Autobiography is out on DVD out now and we’re giving away three copies and three posters.
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Life of Pi is out on 20 December and, to celebrate, win a limited edition prize.
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Prepare yourself for another bout of gut-wrenching comedy as the outlandish Larry David returns in the hit US series Curb Your Enthusiasm.
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Celebrate Ridley Scott’s highly-anticipated return to Sci-Fi with some fantastic prizes!
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Hooley was committed to changing people’s lives to music, constantly believing that there were others like him who – despite the troubles surrounding them – loved Belfast, loved Northern Ireland and loved music.
Lawless is an ripping yarn (in the proper, old-fashioned sense of the term), which, for the most part, manages to balance its moonshine-fuelled suspense and drama with a shot of humour and a chaser of romance.
It’s the early 1970s, and sheltered and unworldly sound engineer Gilderoy flees the safety of his mother’s house in Dorking, Surrey, to work on a gory horror film in Italy.
Truth is stranger than fiction, as Lord Byron once wrote. But fiction was invented because, most of the time, truth is either too boring or painful.
The fact that a young audience will look at this film away from the often prevailing heteronormative, princess-finds-her-prince angle is the thing that sets Brave apart.
It’s 2093, and the crew of the Prometheus are woken from cyrogentic sleep to begin their mission to find mankind’s creator on a rocky planet.
Those from tough backgrounds will no doubt relate; those who are not will appreciate Drew’s messages, however unbelievable some of the actions presented.
It’s 1944 in war-torn Italy where an all-black fighter pilot group are based, tasked with the mundane flying jobs while the white pilots get to fight nose to nose with the Nazi enemy in the skies for Uncle Sam.
Those expecting wanton alien bashing will not be disappointed as such, but be prepared for more of a sentimental time-travelling journey down memory lane with less of the Smith wise cracks.
A Fantastic Fear Of Everything aims to be a surreal, Terry Gilliam-esque comedy which sadly misfires at almost every level.
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