A Liar’s Autobiography – Competition
A Liar’s Autobiography is out on DVD out now and we’re giving away three copies and three posters.
Enter and win
As a psychological horror, Black Swan is a flawless, immersive experience, and one that hardcore aficionados of film will revel in.
The King’s Speech is an unlikely but well-deserved biopic of King George VI, the quiet man in Britain’s twentieth century monarchy.
With her second feature film, Joanna Hogg has cemented her position alongside the likes of Andrea Arnold as a key figure in British cinema.
Perhaps inevitably, something has been lost in modernising Tron’s retro look in the age of 3D, but there is plenty to gaze at.
Lurking within writer/director Gareth Edwards’ modest sci-fi offering is a well-constructed and atmospheric movie – but only if you can approach it with the appropriate expectations.
In Corbijn’s first film since Control, he delivers a thoughtful, engaging and skilfully crafted thriller.
The pride with which it was made is clear to see, for British cinema and for a hundred and eighty seven of Dagenham’s finest.
If the concept of exploitation cinema doesn’t float your boat then this may convince you otherwise.
Nic and Jules (Annette Bening and Julianne Moore) are a middle-aged, long-term lesbian couple in California with two teenage children conceived through artificial insemination.
With an opening that evokes a post-apocalyptic atmosphere, We Are What We Are begins with a suitably eerie tone.