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Shutter Island

Shutter Island

By Garth Twa, 10th March 2010

Shutter Island is a faithful, detailed movie not set in 1954, but of 1954. Scorsese is fully flexing his cinephilic chops.

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Chloe

Chloe

By Dan Higgins, 7th March 2010

Whereas the original, Nathalie…, is virtually devoid of any tension and anticipation, Chloe is a Hitchcock thriller for the 21st century.

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Legion

Legion

By Lesa Keddie, 7th March 2010

If you haven’t quite got the message from Hollywood yet, folks, it’s this: Wake up and smell the diner coffee now, or post-apocalyptic doom awaits us all.

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Edge Of Darkness

Edge Of Darkness

By Garth Twa, 5th February 2010

The Edge of Darkness is Mel’s first film in seven years, they announce like they’re not ashamed, and they’ve brought him out of cryonic storage to punch and pistol-whip sissies in the name of family values.

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The Road

The Road

By Dan Hollis, 7th January 2010

Any filmic adaptation of a loved and lauded novel inevitably draws intense scrutiny over its ‘faithfulness’ and rightly so; this, however, is arguably one of most impressive reincarnations I’ve ever seen.

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Sherlock Holmes

Sherlock Holmes

By Mark Leach, 21st December 2009

Ritchie has become known for his slightly off-beat films (when not helming catastrophic vanity projects), but there are few hints of anything outside of mainstream filmmaking in Sherlock Holmes.

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The Box

The Box

By Mark Leach, 27th November 2009

When the nicest thing that can be said about The Box is that it isn’t quite as bad as Kelly’s previous film; Southland Tales, things don’t bode well.

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Law Abiding Citizen

Law Abiding Citizen

By Mark Leach, 24th November 2009

The best thing that can be said about Butler’s performance is that he is as painfully bad as he has always been, so top marks for consistency.

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The Twilight Saga: New Moon

The Twilight Saga: New Moon

By Suki Ferguson, 21st November 2009

You would expect a film about passionate, dangerous, thwarted love to feel ecstatic and urgent; this felt more like a gentle Valium downer. After the emotional thrills of Twilight, New Moon feels more than a little underwhelming.

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Glorious 39

Glorious 39

By Richard Parkin, 17th November 2009

Poliakoff has made his most recent step up to feature film one of the most dramatic, harrowing tales of the year. It is a shame then that what makes this film most enjoyable is also what dampens its brilliance.

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