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Cherry Tree Lane

Cherry Tree Lane

By Neil Rolland, 2nd September 2010

For how long can Paul Andrew Williams ride on the coat tails of his debut film From London to Brighton? On the evidence of this, his third feature film offering, the novelty is wearing thin.

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The Karate Kid

The Karate Kid

By Dan Higgins, 2nd September 2010

Whether it’s the good v evil, the battling against adversity, the morals or the outlook it leaves you with, it’s just one of those films that stays with you.

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Cemetery Junction

Cemetery Junction

By Michael Holder, 28th August 2010

Dripping with nostalgia, Cemetery Junction centres on three working class lads in their early twenties who want to break free from their small hometown in search of more exciting lives.

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Dear John

Dear John

By Joe Fraser, 21st August 2010

Dear John’s signature style of over-simplifying and repeating everything leaves no room for subtlety or duality of meaning but sometimes that’s exactly what is called for.

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The Scouting Book For Boys

The Scouting Book For Boys

By Dan Hollis, 21st August 2010

It longs, unashamedly, to be a quirky, parochial indie-comedy, whilst striving, also, to hit those Loach, Leigh and Meadows notes of gritty slice-of-life gravitas.

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The Blind Side

The Blind Side

By Garth Twa, 14th August 2010

I was in awe of this movie; stunned. Stunned that it had made it to the big screen, let alone the Oscars. The Blind Side is just not good filmmaking.

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Perrier’s Bounty

Perrier’s Bounty

By Joe Fraser, 14th August 2010

The best stories, characters, images and ideas persist in the mind when the credits roll, but Perrier’s Bounty meekly expires as the screen fades to black.

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Whip It

Whip It

By Sarah Wayman, 14th August 2010

It was refreshing to watch a mainstream flick where women were calling the shots, both in front of and behind the camera. A genuinely funny, feel good coming of age film.

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Gainsbourg

Gainsbourg

By Sarah Wayman, 31st July 2010

More than a biopic, this is a good looking, funny and engaging insight into the fact and fiction of France’s best loved chanteur.

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Lourdes

Lourdes

By Garth Twa, 11th July 2010

It’s a movie that utilizes and plays with the possibilities and conventions of cinema, that challenges your preconceived notions, that actually changes you, changes your brain, like a great piece of literature.

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