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Dir: Emilio Estevez
Starring: William H.
Macy, Christian Slater, Demi Moore, Sharon Stone, Sir Anthony
Hopkins, Freddy Rodriguez, Joshua Jackson, Lindsay Lohan, Shia
Labeouf
The untimely death of
Senator Robert Kennedy during his presidential campaign is a
story that touched Emilio Estevez since his childhood. Now,
after years in the making, we finally see the fruits of his
labour and he has laid up a feast.
With one of the biggest
all-star casts that I have ever seen in one film, Bobby
re-imagines one of the most explosively tragic
nights
in American history.
By following the stories
of 22 fictional characters in the Ambassador Hotel on the
fateful eve that
Bobby Kennedy was shot, Estevez and his cast forge an intimate
mosaic of an America careening towards a moment of shattering
change. The different characters navigate prejudice, injustice,
chaos and their own complicated personal lives, while seeking
the last glimmering signs of hope in Kennedy’s idealism. In
exploring the diverse experiences of ordinary people, the film
celebrates the spirit of an extraordinary man and servers as a
snapshot of an emblematic time in history.
The accomplished
ensemble cast are a huge part of the movie and, while they are
all effectively cameos, they are great ones. Other than
Ashton Kutcher’s
portrayal of a hippy, everyone is on
fine form. Sir Anthony
Hopkins and Harry Belafonte are, as ever, superb as two retired
doorman who can’t bring themselves to leave their hotel. Their
chess-playing scenes of reminiscence are wonderful. Estevez's
father Martin Sheen played his role as a depressed East Coast
socialite very well alongside a solid performance from Helen
Hunt as his wife.
Each role is extremely
well written and symbolic of the time. It is hard to pick out an
‘outstanding’ role out of so many great performances but Freddy
Rodriguez as the young Latino bus boy deserves a special
mention.
The stars are central
to the film’s success but they often detract from the message.
The opening montage is star-studded and literally like watching
the red carpet on Oscar night. In one scene, I just gaped in
amazement at the fact that Sharon Stone was brushing Demi
Moore’s hair. It was one of those special moments in film that
are so surreal that you have a sense of disbelief while watching
it.
The
script is first-rate and complimented by an excellent story.
While acknowledging Bobby Kennedy as a special man, Estevez is
right to focus on the ordinary people who were implicated by the
tragedy.
Everything about this
film was spot-on. The score, the cinematography and editing was
all faultless. If this film is to go by, Estevez has a very
promising future as a writer/director and will definitely be in
the mix come Oscar time.
However, the strongest
aspect of the film is the message that it gives. This film shows
Bobby Kennedy as a man who saw wrong and tried to right it, a
man who saw suffering and tried to heal and a man who saw war
and tried to stop it. The fact that we don’t have a candidate
like that in a world in which war is so prevalent rings true to
so many.
Bobby
is a stunning success.
     
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