A Liar’s Autobiography is out on DVD out now and we’re giving away three copies and three posters.
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Prepare yourself for another bout of gut-wrenching comedy as the outlandish Larry David returns in the hit US series Curb Your Enthusiasm.
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Celebrate Ridley Scott’s highly-anticipated return to Sci-Fi with some fantastic prizes!
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Though this version of Gatsby is full of jarring elements at first appraisal, the combination of a faithful script, high production values and excellent performances creates an absorbingly eccentric artistic statement. Whether it’s a statement you’ll relish is another matter: this is ‘Gatsby’ on a cocaine binge.
If you’re looking for thrills, you’ll have more fun with watching Psycho itself. And if you want a glimpse of the psychology that drove the man, there’s always Vertigo.
Metastasizing war, schisms of family to mirror the schisms of topography, lust, hunger, upheaval, religion, nuclear bombs, forced sterilization, annihilation, and love. And hope. And second chances.
Is it unfair—and pointless— to discuss a film in relation to other past adaptations, to judge it by what it’s not? But, on the other hand, do we need another version of Great Expectations?
With Amour, you will remember the film, and you will remember the emotions, and there will be no humiliation in the crying.
The Landlord is a real race-relations curio; a social comedy that atomizes racial tension in a post-Sixties Brooklyn neighbourhood.
Lawless is an ripping yarn (in the proper, old-fashioned sense of the term), which, for the most part, manages to balance its moonshine-fuelled suspense and drama with a shot of humour and a chaser of romance.
Those from tough backgrounds will no doubt relate; those who are not will appreciate Drew’s messages, however unbelievable some of the actions presented.
The kids and the fans will like The Woman in Black because Daniel does well. The adults have other reasons to enjoy it, if they need them.
It is an homage, it is a paean, it is a celebration: a behind-the-screen romantic comedy that fully embodies the glory and goofiness of a neonate film industry.
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